ART BY
Molly Tong
'Rooted'
Final Year University project
When we consider the undergrowth of trees, we think of generic root structures. What we often don’t give thought to are the tiny thread-like connections of mycorrhizal networks between roots, transporting nutrients and communications in order for the trees to survive. This work explores these hidden networks of mycelium, demonstrating how these interconnections of growth are the secret scaffolding for entire woodland environments.
While the lanterns are switched off, standard root structures are seen; the structures we are familiar with. Upon switching the lanterns on, the hidden mycelium networks are exposed, shining through the original forms to demonstrate their intertwined networks among the original roots.
September 2024- January 2025
'Object, Image, Space'
Second Year University project
During a trip to Sheffield, I passed a William Morris exhibition, shortly before wandering through Sheffield’s Winter Garden. The variety of species encapsulated me, and brought my attention to the different shapes within individual plants. The thick layers of foliage in various shapes, colours and sizes within the garden led me to consider how each individual leaf (object), contributed to those alongside it to form a plant (image), subsequently creating the experience of the Winter Garden (space).
This work uses digital printmaking to explore how objects in abundance can create images and change space. The lighting was a key component in this work as it allows the shapes to project into the surrounding area.
February 2024- May 2024
'Time, Place, Memory'
Second Year University project
Upon initial creation, glass bottles hold one function; to contain something. However, the history of the journey these bottles endure after their disposal generates a whole new narrative for the bottle's journey through time and place, and the directions of ocean waves in determining its final destination. Memories are held within the eroded scratches and chips which weather and smooth over time.
These erosion marks are a focal point in my practice, as they tell the stories of where the bottle has travelled, how it's been battered by forces of nature yet still hold its form, allowing me to explore its history both academically and visually.
September 2023- December 2023
